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                  <text>Inside and outside of SASS, the Black students of Swarthmore College bonded with each other through music. Whether it was remembering the concerts off-campus that they drove to see, the soul parties they held on Saturday nights, or their own musical undertakings, particularly the Gospel Choir, music was constant in their lives at Swarthmore. SASS’s first Student Council funding was in part for musical performances; they brought Conga drums on their midnight march to President Cross’s office in 1970; and they sang songs during meals in the Sharples Dining Hall. A depiction of Black students at Swarthmore College from 1968 to 1972 would be incomplete without a soundtrack.&#13;
&#13;
The following twenty-five songs were chosen for their popularity, for their lyrics, and for the fact that Swarthmore alumni remembered them specifically. Encapsulated in these songs is a glimpse of music from the late 1960s and, more importantly, a sense of how Black Swarthmore students related to it. Below you will find genre-influencing, career-shaping singles and albums. Hits like Otis Redding’s “(Sittin’ On) The Dock of the Bay” and The Supreme’s “You Keep Me Hanging On” are mixed with the timely, poetic, graphic depiction of a Southern lynching in Nina Simone’s rendition of “Strange Fruit” as well as James Brown’s empowering "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself)". Students sang spirituals such as “Oh, Freedom” and “Swing Low, Sweet Chariot” together; some of the same students danced together to The Impressions’ “I’ve Been Trying”.&#13;
&#13;
These songs, albums, and artists were chosen from those remembered by alumni. I would like to thank Joyce Frisby Baynes ‘68, Marilyn Holifield ‘69, Clinton Etheridge ‘69, and Don Mizell ‘71 for sharing their musical interests and memories while at Swarthmore, and I would like to thank Harold Buchanan ‘69 and Myra Rose ‘72 for remembering that Feliciano was played in the halls of Parrish, at least for a few nights. </text>
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                <text>"Ready or Not Here I Come (Can't Hide From Love)"</text>
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                <text>"Ready or Not Here I Come (Can't Hide From Love)" was written by Thom Bell and William Hart. It was released by Philly Groove Records.&lt;br /&gt;&lt;br /&gt;It was released in 1968 as a single and then on the album&amp;nbsp;&lt;em&gt;The Sound of Sexy Soul&amp;nbsp;&lt;/em&gt;in 1969.</text>
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                <text>Wax Poetics ®&lt;br /&gt;published via YouTube.com</text>
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                <text>The Delfonics&#13;
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On the UK Singles Chart, the song hit #41. On the US&amp;nbsp;&lt;em&gt;Billboard&amp;nbsp;&lt;/em&gt;Pop singles, it hit #35, and it hit #14 on the US&amp;nbsp;&lt;em&gt;Billboard&amp;nbsp;&lt;/em&gt;Hot R&amp;amp;B/Hip-Hop Songs.&lt;br /&gt;&lt;br /&gt;&lt;span id="docs-internal-guid-61335b5e-cbcd-0e96-5337-8fbbd26a0ee2"&gt;&lt;span&gt;Don Mizell &amp;lsquo;71 recalled listening to the band.&lt;/span&gt;&lt;/span&gt;</text>
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&#13;
The following twenty-five songs were chosen for their popularity, for their lyrics, and for the fact that Swarthmore alumni remembered them specifically. Encapsulated in these songs is a glimpse of music from the late 1960s and, more importantly, a sense of how Black Swarthmore students related to it. Below you will find genre-influencing, career-shaping singles and albums. Hits like Otis Redding’s “(Sittin’ On) The Dock of the Bay” and The Supreme’s “You Keep Me Hanging On” are mixed with the timely, poetic, graphic depiction of a Southern lynching in Nina Simone’s rendition of “Strange Fruit” as well as James Brown’s empowering "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself)". Students sang spirituals such as “Oh, Freedom” and “Swing Low, Sweet Chariot” together; some of the same students danced together to The Impressions’ “I’ve Been Trying”.&#13;
&#13;
These songs, albums, and artists were chosen from those remembered by alumni. I would like to thank Joyce Frisby Baynes ‘68, Marilyn Holifield ‘69, Clinton Etheridge ‘69, and Don Mizell ‘71 for sharing their musical interests and memories while at Swarthmore, and I would like to thank Harold Buchanan ‘69 and Myra Rose ‘72 for remembering that Feliciano was played in the halls of Parrish, at least for a few nights. </text>
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                <text>&lt;span&gt;"Tighten Up" was written by Archie Bell and Billy Buttier. It was released as single and on the album&amp;nbsp;&lt;/span&gt;&lt;em&gt;Tighten Up&amp;nbsp;&lt;/em&gt;&lt;span&gt;in 1968.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>OLDIESMS&lt;br /&gt;published via YouTube.com</text>
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&lt;span&gt;"Tighten Up" hit #1 on the US&amp;nbsp;&lt;/span&gt;&lt;em&gt;Billboard&amp;nbsp;&lt;/em&gt;&lt;span&gt;&lt;span&gt;Hot 100 and Hot R&amp;amp;B charts.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;Don Mizell &amp;lsquo;71 recalled listening to the band.&lt;/span&gt;&lt;/p&gt;</text>
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&#13;
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&#13;
These songs, albums, and artists were chosen from those remembered by alumni. I would like to thank Joyce Frisby Baynes ‘68, Marilyn Holifield ‘69, Clinton Etheridge ‘69, and Don Mizell ‘71 for sharing their musical interests and memories while at Swarthmore, and I would like to thank Harold Buchanan ‘69 and Myra Rose ‘72 for remembering that Feliciano was played in the halls of Parrish, at least for a few nights. </text>
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                <text>&lt;span&gt;The song was written by Norman Whitfield and Barrett Strong for Motown Records in 1966. Smokey Robinson &amp;amp; the Miracles first recorded it. Marvin Gaye released it on Motown's Tamla label in 1968 as a single and later on&amp;nbsp;&lt;/span&gt;&lt;em&gt;In the Groove.&lt;/em&gt;</text>
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&lt;span&gt;Gaye's rendition of the song hit #1 on the US&amp;nbsp;&lt;/span&gt;&lt;em&gt;Billboard&amp;nbsp;&lt;/em&gt;&lt;span&gt;Hot 100 and R&amp;amp;B Singles, #1 on the UK charts, #3 on the South African Chart, #7 on the Irish Singles Chart, and #8 on the Canadian&amp;nbsp;&lt;/span&gt;&lt;em&gt;RPM&lt;/em&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;Top Singles.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;Marilyn Holifield &amp;lsquo;69 recalled listening to Gaye&amp;rsquo;s music.&lt;/span&gt;&lt;/p&gt;&#13;
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&#13;
The following twenty-five songs were chosen for their popularity, for their lyrics, and for the fact that Swarthmore alumni remembered them specifically. Encapsulated in these songs is a glimpse of music from the late 1960s and, more importantly, a sense of how Black Swarthmore students related to it. Below you will find genre-influencing, career-shaping singles and albums. Hits like Otis Redding’s “(Sittin’ On) The Dock of the Bay” and The Supreme’s “You Keep Me Hanging On” are mixed with the timely, poetic, graphic depiction of a Southern lynching in Nina Simone’s rendition of “Strange Fruit” as well as James Brown’s empowering "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself)". Students sang spirituals such as “Oh, Freedom” and “Swing Low, Sweet Chariot” together; some of the same students danced together to The Impressions’ “I’ve Been Trying”.&#13;
&#13;
These songs, albums, and artists were chosen from those remembered by alumni. I would like to thank Joyce Frisby Baynes ‘68, Marilyn Holifield ‘69, Clinton Etheridge ‘69, and Don Mizell ‘71 for sharing their musical interests and memories while at Swarthmore, and I would like to thank Harold Buchanan ‘69 and Myra Rose ‘72 for remembering that Feliciano was played in the halls of Parrish, at least for a few nights. </text>
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                <text>The song was written by the Doors and released in 1967 on their debut album. José Feliciano released the song through the RCA Viktor label as a single and later on his album&amp;nbsp;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Feliciano!&amp;nbsp;&lt;/em&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                  <text>Inside and outside of SASS, the Black students of Swarthmore College bonded with each other through music. Whether it was remembering the concerts off-campus that they drove to see, the soul parties they held on Saturday nights, or their own musical undertakings, particularly the Gospel Choir, music was constant in their lives at Swarthmore. SASS’s first Student Council funding was in part for musical performances; they brought Conga drums on their midnight march to President Cross’s office in 1970; and they sang songs during meals in the Sharples Dining Hall. A depiction of Black students at Swarthmore College from 1968 to 1972 would be incomplete without a soundtrack.&#13;
&#13;
The following twenty-five songs were chosen for their popularity, for their lyrics, and for the fact that Swarthmore alumni remembered them specifically. Encapsulated in these songs is a glimpse of music from the late 1960s and, more importantly, a sense of how Black Swarthmore students related to it. Below you will find genre-influencing, career-shaping singles and albums. Hits like Otis Redding’s “(Sittin’ On) The Dock of the Bay” and The Supreme’s “You Keep Me Hanging On” are mixed with the timely, poetic, graphic depiction of a Southern lynching in Nina Simone’s rendition of “Strange Fruit” as well as James Brown’s empowering "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself)". Students sang spirituals such as “Oh, Freedom” and “Swing Low, Sweet Chariot” together; some of the same students danced together to The Impressions’ “I’ve Been Trying”.&#13;
&#13;
These songs, albums, and artists were chosen from those remembered by alumni. I would like to thank Joyce Frisby Baynes ‘68, Marilyn Holifield ‘69, Clinton Etheridge ‘69, and Don Mizell ‘71 for sharing their musical interests and memories while at Swarthmore, and I would like to thank Harold Buchanan ‘69 and Myra Rose ‘72 for remembering that Feliciano was played in the halls of Parrish, at least for a few nights. </text>
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                <text>&lt;span&gt;James Brown recorded "Say It Loud - I'm Black and I'm Proud" in 1968. It was released as a single as well as on the albums&amp;nbsp;&lt;/span&gt;&lt;em&gt;Say It Loud - I'm Black and I'm Proud&lt;/em&gt;&lt;span&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;em&gt;A Soulful Christmas.&lt;/em&gt;</text>
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                <text>&lt;a href="https://www.youtube.com/static?template=terms"&gt;Standard YouTube License&lt;/a&gt;</text>
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                <text>Kevin Maguire&lt;br /&gt;published via YouTube.com</text>
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                <text>||||osm&#13;
&lt;span&gt;The Rock and Roll Hall of Fame included "Say It Loud &amp;ndash; I'm Black and I'm Proud" as one of their "500 Songs that Shaped Rock and Roll". It reached #1 on R&amp;amp;B Singles Chart and #10 on the&amp;nbsp;&lt;/span&gt;&lt;em&gt;Billboard&lt;/em&gt;&lt;span&gt;&amp;nbsp;Hot 100.&lt;/span&gt;</text>
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                <text>Black at Swarthmore [1969]</text>
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                <text>An Admissions booklet envisioned by SASS and written by Don Mizell with paragraphs on different aspects of black student life at Swarthmore College as well; there are also many pictures depicting such aspects of life and the campus scenery.  The purpose of the booklet was to aid in reaching out to black high school students to apply to Swarthmore.</text>
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                  <text>Swarthmore College Cygnet</text>
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                  <text>This is a collection of photos of black students at Swarthmore from 1968 - 1972. The photos have been gathered from the Swarthmore College Halcyon, the College's yearbook. See also, the Black at Swarthmore photo collection and the Exhibit on Black Student Life.&#13;
&#13;
Note: A few documents in this collection are not photographs: the academic calendar for the 1969 school year and some narrative text from the 1969 Halcyon.</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="5961">
                  <text>1966-1970</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6072">
                <text>Dizzy Gillespie visits Swarthmore</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6106">
                <text>Swarthmore College Halcyon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6107">
                <text>Swarthmore College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6108">
                <text>1969</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="6109">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
